New Books Vindicate Pius X's Teaching on Sacred Music and Show that the Church in Africa Is Not a "Vatican II Success Story"

Os Justi Press is pleased to announce its latest pair of releases.

First, in the "Studies in Catholic Tradition" series, we have Dr. Patrick John Brill's The Great Sacred Music Reform of Pope St. Pius X: The Genesis, Interpretation, and Implementation of the Motu Proprio "Tra le Sollecitudini."

Professional singer and choir conductor Dr. Andrew Childs sums it up well: “Dr. Patrick Brill provides thorough and much-needed support for what many traditional-minded Catholics have long known or at least suspected: that St. Pius X’s 1903 motu proprio Tra le Sollectitudini still provides the surest guide for the restoration of Catholic sacred music. Part I of this book provides a detailed commentary on the motu proprio, enlightening for amateur and expert alike, while Part II examines the document’s fate from the time of Pius to today, looking at its canonical force and status, positive efforts of implementation, and the neglect it has suffered since Vatican II. As tradition continues to make crucial gains, it will be books like this that serve as practical guides for restoration.”

St. Pius X and the Imponderable of what lies ahead: A Lesson for Our Time - by Roberto de Mattei

Corrispondenza Romana

On the morning of Sunday, August 2, 1903, the third ballot to elect Pope Leo XIII's successor began in the Vatican's Sistine Chapel. Cardinal Mariano Rampolla del Tindaro, the late pontiff's former secretary of state, could count on a majority of the votes and was about to be elected, when Cardinal Ian Puzyna, archbishop of Krakow, asked for the floor and, on behalf of His Apostolic Majesty Franz Joseph, Emperor of Austria and King of Hungary, declared an exclusionary veto against his candidacy. The exclusion veto, which was abolished after this conclave, was an ancient privilege granted not only to the Austrian Empire but also to the Catholic kingdoms of France and Spain. Rampolla's election foundered, and on the evening of Monday, August 3, on the seventh ballot, Patriarch Giuseppe Sarto of Venice was elected Pope with the name Pius X. The new pontiff begged the conclave's secretary Msgr. Rafael Merry del Val to remain at his side as secretary of state. Under their leadership, for eleven years, the Catholic Church experienced one of the most fruitful eras in its history, interrupted by another unpredictable event: the assassination of the Archduke of Austria Franz Ferdinand on June 28, 1914.

Book Announcement: “Good Music, Sacred Music, and Silence: Three Gifts of God for Liturgy and for Life”

I am happy to share with readers of Rorate the announcement of my latest book, released today: Good Music, Sacred Music, and Silence: Three Gifts of God for Liturgy and for Life (TAN, 2023). This book—the fruit of decades of working as a church singer, choir director, composer, and teacher of music at the college level—is a heartfelt appeal to take the art of music as seriously as it deserves to be taken.

The first part deals with the corrosive cultural and psychological effects of a lot of modern popular music, contrasted with the numerous benefits of a lifelong apprenticeship to the great music of the Western tradition (including the many excellent composers working today). Here I draw upon such thinkers as Plato, Aristotle, Aquinas, Pieper, and Ratzinger as well as years of interesting interactions with young people, whom I often guided through what might be called their “musical conversion.”

Modernism, Not Ultramontanism, Is the “Synthesis of All Heresies” — A Response to Stuart Chessman

The following article was submitted to Rorate Caeli by José Antonio Ureta, co-founder of Fundación Roma (Chile) and advisor of its pro-life and pro-family project Acción Familia, a senior researcher at Société Française pour la Défense de la Tradition, Famille et Propriété (Paris), and author of Pope Francis’s Paradigm Shift: Continuity or Rupture in the Mission of the Church? (Spring Grove, PA, 2018). We publish it in the interests of open discussion of topics of grave importance in the Church.

Modernism,  Not Ultramontanism, Is the “Synthesis of All Heresies”

José A. Ureta

Gregorian Chant: Perfect Music for the Sacred Liturgy

I am pleased to publish here at Rorate Caeli the full text and video of the lecture I gave on Gregorian chant as the supreme model of sacred music—a reservoir of faith and a wellspring of devotion—at the Sacred Liturgy Conference in Spokane, Washington, in May of 2019. The organizers of the Sacred Liturgy Conference gave me permission to post the video, which I recommend for its slides and musical examples. However, the text may be of value to those who prefer to print it out and read it. There are slight discrepancies between text and video that make no difference to the meaning. PAK

Gregorian Chant: Perfect Music for the Sacred Liturgy

Peter A. Kwasniewski

One might think that something called “plainchant” or “plainsong” would not furnish much to talk about; after all, its very name says it’s plain and it’s chant. In reality, Gregorian chant it is anything but plain, except in the sense that its beautiful melodies are meant to be sung unaccompanied and unharmonized, as befits the ancient monastic culture out of which they sprang. What we call “Gregorian chant” is one of the richest and most subtle art forms in Western music—indeed, in the music of any culture. In my presentation today, I will first give a rapid sketch of the history of chant, then address why we sing our liturgy rather than merely speaking it, and finally delve into the characteristics that make Gregorian chant uniquely suited to the Catholic liturgy.

“What Good is a Changing Catechism? Revisiting the Purpose and Limits of a Book” — Dr. Kwasniewski’s Chicago Lecture

Note: Below is the lecture I gave at the Union League Club in Chicago on Friday, June 14, 2019, as part of the lecture series of the Catholic Citizens of Illinois. My lecture could have been given the alternative title: “The Death Penalty for the Catechism? A How-To Guide for Excluding a Text from the Catholic Tradition.” Fortuitously, the lecture came at the end of an eventful week in Illinois and in Baltimore. On Wednesday, June 12, the state of Illinois disgraced itself by the passage of the most extreme pro-abortion legislation yet seen in the United States. Ironically, those who celebrate the indiscriminate murder of innocent children are usually opposed to capital punishment for guilty criminals, and the reasoning is consistent: the unborn, not having consciousness of their own personal dignity, cannot defend themselves, so the strong may do away with them at pleasure; but adults, no matter how wicked, are recognized as autonomous individuals with inviolable dignity who must be given free room and board by the state for the remainder of their lives. Then, on Thursday, June 13, the United States bishops voted, by a huge majority (194 in favor, 8 against, 3 abstentions), to alter the text of the U.S. Catholic Catechism for Adults to bring it in line with Pope Francis’s novel teaching on the death penalty. The revolution in moral teaching thus continues unabated.

What Good is a Changing Catechism? Revisiting the Purpose and Limits of a Book[1]

Peter Kwasniewski

What is a catechism? How would you answer that question?

A standard dictionary definition runs like this: “a summary of the principles of Christian religion in the form of questions and answers, used for the instruction of Christians.” Wikipedia, which as we all know is hit or miss, does a decent job: “A catechism (from Ancient Greek κατηχέω, to teach orally) is a summary or exposition of doctrine and serves as an introduction to the Sacraments” and for the “Christian religious teaching of children and of adult converts. Catechisms are doctrinal manuals—often in the form of questions followed by answers to be memorized.”[2]

It seems to me that this is the answer of history, of Church practice, and of what we might call “supernatural common sense.” A catechism is a convenient guide to what the Church teaches; more than that, a guide to what she has always taught and will always teach. A good catechism is like a clean, smooth, untainted mirror that reflects the content of the Catholic Faith and nothing else.

A poor catechism—like the infamous 1966 Dutch Catechism that caused so much trouble after the Council—is, on the contrary, a cloudy, scratched, bent, or chipped mirror that does not lucidly reflect the Faith. Good catechisms preserve and pass on the teaching of Christ and His Church, while bad catechisms distort it, or one-sidedly exaggerate it, or muffle or silence it.