Rorate Caeli

New Books Vindicate Pius X's Teaching on Sacred Music and Show that the Church in Africa Is Not a "Vatican II Success Story"

Os Justi Press is pleased to announce its latest pair of releases.


Professional singer and choir conductor Dr. Andrew Childs sums it up well: “Dr. Patrick Brill provides thorough and much-needed support for what many traditional-minded Catholics have long known or at least suspected: that St. Pius X’s 1903 motu proprio Tra le Sollectitudini still provides the surest guide for the restoration of Catholic sacred music. Part I of this book provides a detailed commentary on the motu proprio, enlightening for amateur and expert alike, while Part II examines the document’s fate from the time of Pius to today, looking at its canonical force and status, positive efforts of implementation, and the neglect it has suffered since Vatican II. As tradition continues to make crucial gains, it will be books like this that serve as practical guides for restoration.”

The new president of the Church Music Association of America, Fr. Robert C. Pasley, concurs:

“Despite the sorry state of music in the Church today, the official documents of the Church still clearly proclaim that Gregorian chant has ‘first place’ (principum locum) in the liturgy. St. Pius X’s motu proprio is the definitive teaching on this subject. Brill’s book is valuable for Church musicians, an immersion in the fundamentals… A fascinating and important read.

Music director Jonathan Bading, the coordinator of the massive Palestrina500 festival in Grand Rapids, Michigan, adds:

“St. Pius X’s motu proprio on sacred music is the bravest, loftiest, most exhaustive attempt ever to protect and promulgate the precious musical riches of our Roman Rite. Brill’s work particularly shines by placing this great document in its tumultuous historic context and by thoroughly dismissing the naysayers who attempt to water down the urgency of this holy pope’s directives.

Dr. Edward Schaefer, musicologist and president of the Collegium Sanctorum Angelorum  (one of only two 4-year Catholic colleges in the USA centered on the TLM), notes the timeliness of Brill's study:

“Even though they met with certain challenges, these reforms [of Pius X] supported both the twentieth-century revival of chant and a renewed sensitivity to the importance of music in the liturgy…. Patrick Brill’s study comes at an opportune moment, when Catholics are increasingly rejecting the banality of much of today’s ‘church music.’ Brill’s work conveniently gathers into a slim volume the historical context of Pius X’s reforms, the reforms themselves, their implementation, and the place of these reforms in a Church rediscovering tradition. It will be a standard resource.

Lastly, music professor and author Susan Treacy points to its practicality:

An indispensable volume for every Catholic—musician or not—who wants to understand the sacred music of the Church.… Provides a detailed exegesis and history of Pius X’s 1903 motu proprio on sacred music Tra le Sollecitudini, as well as the subsequent history of Catholic liturgical music through the aftermath of Vatican II.… Also offers a plan to help pastors and musicians restore sacred music in today’s Catholic parishes, according to the evergreen reforms of St. Pius X.”

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The second new release is in a rather different vein: a collection of essays around the theme of the state of Catholicism on the African continent.
 

The familiar claim that Catholicism is booming in Africa—that it is the one continent where the Second Vatican Council has yielded abundant good fruits—does not square with available data and descriptions, as we discover in the late George Neumayr’s articles on Ivory Coast, a Nigerian Catholic’s analysis of harmful inculturation inflicted on Africans by racially stereotyping European liturgists, Claudio Salvucci’s questioning of the Zaire Use on the basis of Congolese history, and Peter Kwasniewski’s evaluation of the evangelical potency of preconciliar faith, life, and worship. In Africa as elsewhere, traditional Catholicism conquered whole populations and fostered immense cultural creativity. Under the new ecclesiology, new ecumenism, and new liturgy of progressive Western intellectuals, ever-larger numbers are falling away to Protestant sects and deracinating secularism.

“Accessible and informative, this agile volume…questions much of the received wisdom about the alleged ‘success’ of the Catholic Church in Africa in the last few decades… Will introduce the reader to an ecclesial reality far more problematic and fractured than the naively optimistic portrayals often found in Catholic publications… An important critique of simplistic accounts of liturgical inculturation.” —Thomas Cattoi, PhD, Angelicum, Rome

“Serves as a welcome corrective foray into a fraudulent historiography…based on eurocentric ideological preoccupations.” —Michael Kakooza, PhD, Eastern Africa

“The entirety of this book, brimming with intelligent observations and illustrated with unknown and appealing historical examples, will trigger conversations that should not be postponed.” —Fr. Federico Highton, PhD, ThD; co-founder of two sub-Saharan parishes

“As a priest celebrating the traditional Latin Mass in East Africa for twenty years, I appreciate your collective work. The Catholic Faith has been damaged by the new spirit of this council in Africa like everywhere else, even if the consequences are not of the same magnitude (yet).” —Rev. Christophe Nouveau, Kampala, Uganda

146 pages, full color, in paperback, hardcover, or ebook.

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Both books are available directly from the publisher:

Brill on Pius X | paperback $14.95 | hardcover $21.95 | ebook $9.95

African Catholicism | paperback $16.95 | hardcover $24.95 | ebook $9.95

Or from any Amazon outlet (see, e.g., here and here).