Today I can publish Positio 19, which is the twentieth in the series, counting the two parts treating Holy Week. This is on the subject of the Kiss of Peace, the Pax, which in the Novus Ordo is called the Sign of Peace.
This is an interesting topic historically, and though it may not seem of the utmost importance it illustrates two very important issues in the debate about the liturgical reform. The first is the demand, by the reformers, for more 'participation': the Peace should be exchanged, as it had been in ancient times, between all the members of the congregation. The second is the unforeseen practical difficulties which this has created, including liturgical abuses. This has reached such a pitch that, in the 2007 Synod of Bishops, it was argued that it had become so disruptive that it should no longer be part of the preparation for Communion in the Novus Ordo.
The next paper will be on the subject of Vigils and Octaves; it will be published, when it is ready, perhaps a month from now. The pace of publication has slowed, but we still have a pipeline of subjects.
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The Kiss of Peace at High Mass in a small English chapel; more on this Mass here. |
I give some more commentary on the paper on my own LMS Chairman blog.
This paper can be downloaded as a pdf here. The whole series can be seen on the FIUV webstie here. The collected set of papers 1-13, printed as a short book, is available from Lulu here.
Comments can be sent to
positio AT fiuv.org
The
Extraordinary Form of the Roman Rite makes significant use of the osculum, the liturgical kiss, of which the amplexus, the embrace, is a variant. A number of times
throughout the Mass, the celebrant kisses the Altar, turns to the congregation
and says ‘Dominus vobiscum’;[1]
he also kisses the Altar before giving the blessing to the Faithful.[2]
2 This
conveying to the congregation the greeting or blessing of Our Lord, in these
cases represented by the Altar, is played out in a more extended fashion at the
Pax. Following the Pater Noster
and its embolism, during the latter of which the celebrant signs himself with
and kisses the paten, the celebrant says aloud ‘Pax Domini sit semper
vobiscum’, while making the sign of the cross over the Chalice with a particle
of the Host, and putting this into the Chalice. He receives the response ‘Et
cum spiritu tuo’.[3]
The celebrant then says, silently, the prayer Haec
commixtio, and then the Agnus Dei. In Missa Solemnis, while the Agnus Dei
is being sung, the celebrant and the deacon kiss the Altar and exchange the
Kiss of Peace, in the form of a light embrace, the Deacon passes it on to the
Subdeacon; it is passed thence to all clergy and servers present in choir.[4]
The Pax is omitted in the Mass for the Dead and on Maundy Thursday.
In
certain circumstances the Kiss of Peace can be given using a Paxbrede, and,
using this, at Missa Cantata and Low Mass:
again, the Pax is conveyed to the Paxbrede from the Altar, by a kiss. The use
of the Paxbrede in the Extraordinary Form today is explained in more detail in
the Appendix to this paper.
The
practice of the Extraordinary Form contrasts somewhat with the ‘Sign of Peace’,
most commonly an exchange of handshakes,[5]
found in the Ordinary Form, before the Agnus Dei. This
paper aims to provide an explanation and rationale of the practice of the
Extraordinary Form.[6]
The Historical Development of the Pax
5 While the
Pax is deeply rooted in the Latin liturgical tradition,[7]
its history is a complex one, and only a rough outline can be attempted here.[8]
Justin Martyr notes an exchange of kisses as the conclusion of the service of
prayers and readings.[9]
Later, it is
found in Gallican Rites before the Offertory. Pseudo-Germanus comments:
They offer to one other
the Peace of Christ in such a way that by a mutual kiss they may maintain the
affection of love for one another.[10]
This seems naturally
suggested by Matthew 5:23f.[11]
In the African and Roman liturgies, however, it is found
immediately before the Communion Rites,[12]
a location recommended by Pope St Innocent I in a letter of the year 416:
By the peace it is clear that the people give their consent
to all that has been done in the mysteries celebrated in the church. The peace
is the seal that shows that these mysteries have been accomplished.[13]
The Pater Noster coming before it, by the time of Pope Gregory the Great (d.604), suggests the mutual forgiveness enjoined in that prayer.[14] One may, therefore, regard the Roman practice as involving both the themes of a concluding ‘seal’ for the mysteries, similar to the Amen at the end of the Canon, and the mutual forgiveness emphasised in the Gallican tradition.
The Pater Noster coming before it, by the time of Pope Gregory the Great (d.604), suggests the mutual forgiveness enjoined in that prayer.[14] One may, therefore, regard the Roman practice as involving both the themes of a concluding ‘seal’ for the mysteries, similar to the Amen at the end of the Canon, and the mutual forgiveness emphasised in the Gallican tradition.
Over time the Pax developed from a simultaneous giving of the kiss between the ministers at the Altar and neighbours in the congregation,[15] to a more ceremonious practice in which the kiss is, as it were, passed from Our Lord Himself, in the Consecrated Host, or else represented by the Paten, the Altar, the Chalice, the Missal, or the Crucifix, or some combination of these, to the Sacred Ministers, and then to the Faithful, passing from one person to another. This adds an extra pertinence to the Pax taking place while the Agnus Dei is being sung, and after the Consecration: the effect is that the peace is radiating from the Lamb of God slain (as it were), upon the altar, not just because the Kiss begins there, but also because of the text and music which are simultaneous. As Joseph Jungmann expresses it:
Thus the kiss of peace is made to proceed from the altar and,
like a message or even like a gift which comes from the Sacrament, is handed on
“to the others and to the people.”[16]
This practice is well-established in Pontificals of the 10th
Century. In the context of infrequent reception of Holy Communion at that time,
the symbolism of a blessing being conveyed from the Blessed Sacrament upon the
Altar to the Faithful was of particular significance.
There is, therefore, no danger of mistaking the peace at
issue in this ceremony for a mere secular communal harmony: it is very
specifically the Peace of Christ, radiating from the Blessed Sacrament, now
present on the Altar.
In all the Rites of the Church the Kiss underwent a process of stylisation, becoming for example a bow or a kissing of the fingers in certain Oriental churches. In the West the embrace found in the Extraordinary Form today developed, and in England, the elegant solution of the Paxbrede came into use in parish churches,[17] which spread to continental Europe and appears in the 1570 Missale Romanum. Variations on the Paxbrede included the use of a crucifix or reliquary.
In all the Rites of the Church the Kiss underwent a process of stylisation, becoming for example a bow or a kissing of the fingers in certain Oriental churches. In the West the embrace found in the Extraordinary Form today developed, and in England, the elegant solution of the Paxbrede came into use in parish churches,[17] which spread to continental Europe and appears in the 1570 Missale Romanum. Variations on the Paxbrede included the use of a crucifix or reliquary.
The Paxbrede allowed the Pax to be made between the sexes,
which had otherwise been forbidden (except, notably, for the couple at a
nuptial Mass).[18]
The direct
participation of the Faithful in the Pax, for which the Paxbrede was
particularly well suited, began to die out in the following centuries in most
countries.[19]
The liturgical scholar Polycarpus Radó suggests ‘reasons of hygiene’ for this.[20]
Another practical reason seems to have been that the practice of passing the
Paxbrede among the Faithful according to their social degree led to unedifying
disputes over precedence.[21]
A modern factor which reduces the time available to present the Paxbrede is the
frequency of the Communion of the Faithful during Mass.[22]
Participation and Proposals for Reform
The possibility
of the Faithful’s direct participation in the Pax causing disruption, just
noted, has a modern parallel in the difficulties encountered with the practice
in the Ordinary Form. This was discussed in the 2007 Synod of Bishops,[23]
and the Congregation for Divine Worship was asked to examine the proposal that
it be moved to the beginning of the Offertory to mitigate this.
However, as noted earlier, the meaning of the Pax in the
Extraordinary Form is bound up, more clearly than in the Ordinary Form, with
the Blessed Sacrament as the source of the peace. As St Alphonsus Ligouri
expressed it:
Before giving the peace, the priest kisses the Altar to show
that he cannot give peace unless he has first received it from Jesus Christ,
who is represented by the Altar.[24]
The kissing of the Altar, next to the Host Itself, as well as
the Paten, is the first link of a chain conveying the Peace of Christ to the Sacred
Ministers and others in the Sanctuary.
The Extraordinary Form is able to maintain this important and
ancient symbolism, without any danger of disruption, by inviting the Faithful
to unite themselves spiritually with the very vivid and gracious ceremony
performed in the Sanctuary by the Sacred Ministers. Any physical sign of peace
is itself a symbol, and the question is whether members of the Faithful can
best make truly their own a symbolic gesture made by the Sacred Ministers, or
one made by themselves; there is less difference between the two than may first
appear.
1 This development is an example of a very widespread twofold
phenomenon in the history of the liturgy: of rites and ceremonies being reduced
to a symbolically important minimum, and of ceremonies once involving the
Faithful being performed solely by the clergy, on the Faithful's behalf. Some
have regarded such developments as a matter of regret, but Pope Pius XII
reminds us that archaic liturgical practices are not necessarily to be
preferred to the more developed forms, since the development has taken place
under the guidance of providence.[25]
1 The Roman Rite
frequently retains archaic ceremonies in an abbreviated or even vestigial form,
allowing the meaning of the whole rite to be expressed succinctly, and
reminding us of the antiquity of the Rite. The compressed meanings of the rite
are a bulwark against banality: the smallest aspect of the Extraordinary Form
is freighted with significance, like the details of any great work of art.
Conclusion
1 The Pax in the Extraordinary Form is the most significant of
a series of occasions on which the celebrant conveys to the Faithful the peace
of Christ, represented by the Altar which he kisses. It has this special
significance because on this occasion the Lamb of God is present on the Altar in
the consecrated Host.
2 The Pax
exchanged among the Sacred Ministers and others is a visually eloquent
expression of what happens on each of these occasions, of this peace radiating
out to the Faithful. The themes of approving and sealing the foregoing mysteries,
and of mutual reconciliation and preparation for the reception of Communion,
are, in this context, dependent upon this central idea, of the Peace which
comes from Christ.
2 The continued
use of the Paxbrede in certain places and in certain Orders, discussed in more
detail in the Appendix, illustrates the legitimate diversity of the
Extraordinary Form, and the preservation of older customs in particular
contexts. Such customs are part of the authentic liturgical culture of their
proper regions or orders, and should be preserved and fostered whenever
possible.
Appendix: The Paxbrede